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Austin Kleon (Writer, artist / )
I had a couple of magical Manguso readings this year: On a summer trip to San Francisco, I bought this in the morning at Christopher’s Books in Potrero, and then read most of it later that afternoon in the Yerba Buena Gardens. Later in the year, I found a used copy of Ongoingness: The End of A Diary in a market in Antigua, Guatemala, and read that in one sitting, too.
A Proustian minimalist on the order of Lydia Davis (Kirkus Reviews), Sarah Manguso is one of the finest literary artists at work today. To read her work is to witness acrobatic acts of compression in the service of extraordinary psychological and spiritual insight.
300 Arguments, a foray into the frontier of contemporary nonfiction writing, is at first glance a group of unrelated aphorisms. But, as in the work of David Markson, the pieces reveal themselves as a masterful arrangement that steadily gathers power. Manguso's arguments about desire, ambition, relationships, and failure are pithy, unsentimental, and defiant, and they add up to an unexpected and renegade wisdom literature.
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